Original Charcoal on Paper - SOLD
Approx. size of original – H 50cm x W 65cm (unframed)
Prints (Limited Edition) - Available
- Giclee Prints complete with Certificate of Authenticity & Artist Seal
- Limited run of 150: Large - 100 prints; Small – 50 prints
- Mounted and backing board
- 30% from each print sale will be donated to a conservation partner
Each print is produced using archival inks (guaranteed lightfast for 100+ years) on Canson Infinity Rag Photographique Paper and personally signed off by myself.
Whilst the print run is limited to 150 prints, if you would like to discuss a bespoke sizing outside of the two standard options, please get in touch through the contact page to discuss this further.
As each print is individually produced and quality checked to order, please allow around 14 days for production & shipping.
This piece was inspired by a fascination I started to have with backlighting, and one I am looking to explore in future pieces. I started to fall in love with the images of photographers like Michel Doultremont and Bence Mate. So decided to try and investigate my own take on backlighting.
I love the power of suggestion in art, which, in part, informs my choice in charcoal as a medium. For a backlit image to be successful it is all about the power of suggestion and this Is what I sort to capture in this piece. Like the piece ‘Patterns in Nature’ the viewer is left with no discernible features of the subjects but is in no doubt as to the animal portrayed.
The original is unfortunately no longer up for grabs but, as with all my works, 30% of the profits from the 150 limited edition prints will go to Aspinall Foundation to fund vital conservation work across the Africa and Asia.